Liste d'appareillage générale
Remote controllers pour Pro Tools | HDX et Logic Pro X
Slate Media Technology - Expanded RAVEN CORE STATION with 2 RAVEN MTi2 27” Multi-Touch Production Consoles
- touchscreen-based production console system
- 2 x RAVEN MTi2 27” Multi-Touch Production Console
- RAVEN 3.5.1 Control Software
- including the award winning BATCH COMMAND SYSTEM
- works with Pro Tools Native, Pro Tools Ultimate and Logic Pro X (and all other major DAW's)
- studio furniture by ZAOR
AVID - S3 Control Surface
- EUCON-enabled control surface for Pro Tools and other DAWs, including Logic Pro X
- based on the award-winning Avid S6 control surface
- 16 touch-sensitive, motorized faders
- 16 10–segment meters, with pre–and post–fade metering options
- 32 touch-sensitive, push-button style rotary encoders
- 32 OLED displays
- ribbon controller for intuitive transport navigation
- paired with the AVID Control app for a whole new level of tactile control
- and paired with 2 x RAVEN MTi2 27” Multi-Touch Production Console (see above), this combination presents the best of 2 worlds: hands-on faders and buttons combined with 2 x 27” touch screens
AVID - Control
- app for tablets and smartphones
- Control lets you wirelessly control a variety of audio and video software, including Pro Tools, Media Composer, Logic Pro X, Cubase, Nuendo, and more
- runs on an Apple iPad Air (3rd generation) Wi-Fi 64 GB
- paired with AVID S3 Control Surface
Neyrinck - V-Control Pro Bundle
- apps for tablets, smartphones and laptop browsers
- V-Control Pro Bundle includes:
- V-plugin
- V-Console
- V-Panner
- V-Control Pro 1
- works with all major DAW's
- runs on an Apple iPad Air (3rd generation) Wi-Fi 64 GB
Digital Master Clocks
Apogee - BIG BEN- Master Digital Clock
- DDS Audio Clock generator using Apogee Ultra Low Jitter C777 clock technology
- “SureLock” technology for drop out prevention
- sample rates: 44.1 - 48 - 88.2 - 96 - 176 - 192 kHz (all +/- 10%)
- three stage termination indicator (under/correct/over) on each Word Clock output
- inputs:
- 2 x AES-EBU on XLR 44.1k - 192 kHz single-wide and 88.2 - 192 kHz double-wide
- S/PDIF optical on TOS-LINK 44.1 - 48 kHz
- S/PDIF coaxial on RCA 44.1 - 192 kHz
- ADAT 44.1 - 48 kHz
- ADAT/SMUX II for 88.2 - 96 kHz
- ADAT/SMUX IV for 176.4 - 192 kHz
- Word Clock BNC 44.1 - 192 kHz
- Video
- Firewire
- outputs:
- 2 x AES-EBU on XLR single or double wide 44.1 - 192 kHz
- S/PDIF coaxial 44.1 - 192 kHz
- S/PDIF optical on TOS-LINK 44.1 - 48 kHz
- 6 x BNC Word Clock 44.1 - 192 kHz (of which 2 can output x256fs, x4, x2, 1/2, 1/4 at apropriate sample rates)
- ADAT
- SMUX II
- SMUX IV
- Optional FireWire
- 2 x AES-EBU on XLR single or double wide 44.1 - 192 kHz
AVID - SYNC HD - Pro Tools HD Synchronizer
- High-Fidelity, Low-Jitter Clock
- supports all Pro Tools HD sample rates: 44.1 - 48 - 88.2 - 96 - 176 - 192 kHz (all +/- 10%)
- supports all Major Industry- Standard Clock Sources
- supports SD and HD video reference input (tri-level sync) up to 1080p/60fps
- supported Positional Reference Sources:
- LTC
- VITC
- Bi-phase/Tach
- Internal Time code Generator
- supported Clock Reference Sources:
- Loop Sync (Pro Tools HD)
- Reference Video
- Composite Video Input
- Word Clock
- AES/EBU Null
- Pilot Tone
- Internal Crystal
- Bi-phase/Tach
- LTC
- Output and Generation:
- Loop Sync (Pro Tools HD)
- digidesign Super Clock ( x256fs sample clock)
- Word Clock (x1fs sample clock)
- AES/EBU null clock (AES 'digital black')
- VITC (if a video input is present)
- LTC
- MIDI Time Code
- Two 9-pin Sony P-2 machine Protocol ports
ROSENDAHL - nanosyncs - DDS Audio Clock and Video Sync Reference Generator
- DDS Audio Clock generator
- Video Sync Reference generator
- sample rates: 44.1 - 48 kHz + Output Multiplier x2fs (88,2 and 96 kHz) and x256fs (digidesign Super Clock)
- LTC Time Code input / output (through)
- inputs:
- Word Clock BNC 44.1 - 48 kHz
- Video
- Word Clock BNC 44.1 - 48 kHz
- outputs:
- AES-EBU Null on XLR 44.1 - 96 kHz
- S/PDIF coaxial 44.1 - 96 kHz
- 3 x BNC Word Clock 44.1 - 96 kHz
- 3 x BNC Word Clock x256fs (digidesign Super Clock)
- AES-EBU Null on XLR 44.1 - 96 kHz
Pré-amplis pour microphones
Focusrite - RED 1 - Quad Microphone Pre-Amplifier (x2)
- 4 ultrahigh quality Focusrite preamps
- the same circuit topology as the original ISA mic pre designs with original Lundahl LL1538 input transformer
- mic input gain -6 dB to +60 dB in 6 dB steps
- mic Input Impedance: 1200 Ohm +/- 15%, balanced and floating
- output: +24 dBm into 600 Ohm, +26 dBm into 10k Ohm, balanced and floating
- frequency response: 10 Hz - 140 kHz
- noise (EIN): -127 dBu (input loaded 200 Ohm) @ 60 dB gain
- distortion: 0.003% (-20dBu @ 1 kHz)
Focusrite - ISA 828 + ISA 8-channel 192 kHz ADC card for ISA 828
- 8-channel ISA Microphone pre-amplifier with Variable Input Impedance
- 8 original Focusrite ISA transformer-based microphone pre amps with original Lundahl LL1538 input transformer
- 8 line / 4 instrument inputs with high and low impedance options
- mic input gain -6 dB to +60 dB in 10 dB steps
- input Impedance, variable: 600Ω, 1k4Ω, 2k4Ω, 6k8Ω
- output: +24 dBm into 600 Ohm, +26 dBm into 10k Ohm, balanced and floating
- frequency response: 10 Hz - 110 kHz
- noise (EIN): -126 dB (input loaded 150 Ohm) @ 60 dB gain
- distortion: 0.0008% (-20dBu @ 1 kHz)
- ISA 8-channel 192 kHz ADC card installed:
- features Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips
- AD conversion at sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz ±10%
- connected to AVID (digidesign) - 192 Digital I/O - 16-channel 192 kHz 24-bit Digital Interface (see below)
Interfaces audio pour Pro Tools | HDX
Apogee - ROSETTA 200 - 2 x 2 channel 192 kHz 24-bit AD/DA Converter & Sample Rate Converter
- legendary Apogee Conversion in High-Definition
- "Intelliclock": Dual Stage Jitter Reduction
- "SoftLimit": Maximize Levels, Minimize Overs
- C.O.D.A.: the "APTOMIZER Level Normaliser, Sample Rate Conversion (SRC) and Apogee's "UV22HR" for superior dither to 16-bit
- 2 channels of 24-bit supported AES,
- 2 channels of 24-bit supported S/PDIF I/O (coax & optical - up to 96 kHz)
- 2 channels of 24-bit supported ADAT I/O
- sample rates: 44.1 - 48 - 88.2 - 96 - 176 - 192 kHz (all +/- 10%)
- frequency response: 10Hz - 20 kHz
- dynamic range: 114 dB A weighted (AD + DA)
- THD+N: -105 dB (AD), -103 dB (DA)
AVID - HD I/O 16x16 Analog - 16 x 16 channel 192 kHz 24-bit AD/DA Converter (x2)
- 16 x 16 channel 192 kHz 24-bit AD/DA Converter for Pro Tools | HDX
- build-in 16-channel 192 kHz 24-bit AD
- build-in 16-channel 192 kHz 24-bit DA
- 16 analog inputs (+4 dBu or -10 db(V))
- 16 analog outputs (+4 dBu or -10 db(V))
- 2 channels of 24-bit supported AES/EBU I/O (up to 192 kHz)
- 8 channels of 24-bit supported ADAT I/O (up to 48 kHz)
- 2 channels of 24-bit supported S/MUX II (up to 96 kHz)
- 2 channels of 24-bit supported S/MUX IV (up to 192 kHz)
- 2 channels of 24-bit supported S/PDIF I/O (coax & optical - up to 96 kHz)
- sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz (all +/- 10%)
- soft clip and curv limiting circuits to protect against clipping on analog input
- frequency response: ±0.05 dB @ +2 dBu, 20 Hz - 20 kHz
- dynamic range: 122 dB (A-weighted), 118 dB (unweighted)
- THD+N ADC: 0.0002% (-114 dB) - dynamic range 122 dB
- THD+N DAC: 0.00032% (-110 dB) - dynamic range 125 dB
AVID - HD I/O 16x16 Digital - 16 x 16 channel 192 kHz 24-bit Digital Interface
- 16 + 2 channels of 24-bit supported AES/EBU I/O (up to 192 kHz)
- 16 + 8 channels of 24-bit supported ADAT I/O (up to 192 kHz)
- S/MUX II and S/MUX IV
- 2 channels of 24-bit supported S/PDIF I/O (coax & optical - up to 96 kHz)
- sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz (all +/- 10%)
- real-time sample rate conversion on digital inputs (up to sixteen channels of AES/EBU, Optical, or TDIF)
- frequency response: ±0.05 dB @ +2 dBu, 20 Hz - 20 kHz
- dynamic range: 122 dB (A-weighted), 118 dB (unweighted)
- THD+N ADC: 0.0002% (-114 dB) - dynamic range 122 dB
- THD+N DAC: 0.00032% (-110 dB) - dynamic range 125 dB
AVID (digidesign) - 192 I/O - 16 x 8 channel 192 kHz 24-bit AD/DA Converter
- 16 x 8 channel 192 kHz 24-bit AD/DA Converter for Pro Tools | HDX
- build-in 8-channel 192 kHz 24-bit AD + additional 8-channel 192 kHz 24-bit AD card
- build-in 8-channel 192 kHz 24-bit DA
- 16 analog inputs (+4 dBu or -10 db(V))
- 8 analog outputs (+4 dBu or -10 db(V))
- 10 channels of 24-bit supported AES/EBU I/O (up to 192 kHz)
- 8 channels of 24-bit supported Optical (ADAT) I/O (up to 48 kHz)
- 8 channels of 24-bit supported TDIF I/O (up to 48 kHz)
- 2 channels of 24-bit supported S/PDIF I/O (up to 96 kHz)
- sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz (all +/- 10%)
- frequency response: ±0.05 dB @ +2 dBu, 20 Hz - 20 kHz
- dynamic range: 120 dB (A-weighted), 118 dB (unweighted)
- THD+N ADC: 0.00035% (-109 dB) - dynamic range 120 dB
- THD+N DAC: 0.00056% (-105 dB) - dynamic range 118 dB
AVID (digidesign) - 192 Digital I/O - 16 x 16 channel 192 kHz 24-bit Digital Interface (x3)
- 16 x 16 channel 192 kHz 24-bit Digital Interface for Pro Tools | HDX
- 16 channels of 24-bit supported AES/EBU I/O (up to 192 kHz)
- 16 channels of 24-bit supported Optical (ADAT) I/O (up to 48 kHz)
- 16 channels of 24-bit supported TDIF I/O (up to 48 kHz)
- 2 channels of 24-bit supported S/PDIF I/O (up to 96 kHz)
- sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz (all +/- 10%)
Behringer - ULTRAMATCH PRO SRC 2496 - 2 x 2 channel 96 kHz 24-bit - AD/DA Converter & Sample Rate Converter (x5)
- 96 kHz 24-bit AD and DA converter
- high-precision quartz clock generator
- 2 channels of AES and S/PDIF (coax & optical)
- Converts any sample rate between 31 and 100 kHz into 32, 44.1, 48, 88.2 or 96 kHz sample rates
- frequency response: 20Hz - 20 kHz
- dynamic range: 116 dB A weighted (AD + DA)
- THD+N: -105 dB (AD), -108 dB (DA)
- I don't use the AD/DA conversion path, I use them as digital Swiss Army knifes for converting digital audio streams (AES/EBU and S/P DIF), digital input selection and as sample rate convertors locked to house clock from the Apogee Big Ben
Interface audio pour Apple Mac Pro
Focusrite - Saffire PRO 24 DSP - 4-channel 96 kHz 24-bit AD/DA Converter (x2)
- High-quality 24-bit / 96 kHz FireWire / Thunderbolt™ interface
- 2 high-quality award-winning Focusrite pre-amps
- Virtual Reference Monitoring (VRM)
- onboard DSP-powered, ultra-low-latency tracking and mixing tools
- Saffire MixControl ultra-low-latency DSP mixer/router
- JetPLL™ jitter reduction technology
- total I/O count of 16 inputs and 8 outputs
- mic input gain +13 dB to +60 dB
- mic input Impedance: 2 kΩ
- frequency response: 20 Hz - 20 kHz
- noise (EIN): -124 dB (input loaded 150 Ohm) @ 60 dB gain
- distortion: 0.001% (-20dBu @ 1 kHz)
Processeur principal de réverbération/d'effets stéréo et surround
Lexicon - PCM96 Surround D - Parallel Stereo and Surround Reverb/Effects Processor
- 50 legendary Lexicon reverbs, delays, and modulation effects
- parallel Stereo and Surround configurations
- Lexicon's new Surround Room algorithm, used to generate a vast array of room-related effects for music and post
- new Pitch algorithms
- over 2200 factory presets, including recognizable classics from Lexicon's immense library of sounds
- 32-bit floating point processing
- sample rates up to 96kHz
- 6 XLR Stereo AES/EBU inputs and outputs
- external BNC Wordclock
- MIDI in, out and thru
- 768 user presets
- Compact Flash for additional storage
Stereo and Surround Reverbs & Effects:
- Room
- Hall
- Chamber
- Random Delay
- Classic (Random Hall)
- Plate
- Dual Delay
- Ambience
- Resonant Chords
- Chorus/Flange
- Concert Hall
- Signal Generator
- Pitch
Mono Reverbs & Effects:
- Chamber
- Hall
- Plate
- Room
- Chorus/Flange
- Dual Delay
- Random Delay
- Random Hall
- Resonant Chords
- Signal Generator
- Pitch
Tables de mixage pour des synthétiseurs
YAMAHA - 01V96i - 40-channel 96 kHz 24-bit Digital Mixing Console (x2)
- mixing of 32 mono channels + 4 stereo channels at 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz
- 24-bit / 96k Hz AD / DA converters with 128x oversampling
- 4 x SPX multi effect processors
- Virtual Circuitry Modeling DSP effects
- REV-X Reverb
- 4-Band EQ + compressor and gate per mono channel
- 17 x 100 mm motor fader
- ADAT I/O
- S/P DIF I/O (coaxial)
- 16 channels of bi-directional USB audio streaming
- 12 x mono XLR / jack Mic / Line inputs with high-performance mic preamps
- 4 x jack Line inputs
- expanded with MY8-AD96 card with 8 analog 24 bit line inputs at 96 kHz
YAMAHA - MG16XU - 16-channel Analog Mixing Console
- mixing of 16 mono channels
- 1 x SPX multi effect processors
- 3-Band EQ per channel
- 8 x 1 knob compressors
- 16 x 60 mm fader
- 8 x mono XLR / jack Mic / Line inputs with high-performance D-PRE mic preamps
- 2 x mono/stereo XLR / jack Line inputs
- 2 x stereo jack / RCA Line inputs
- Digital I/O: 2 in/2out USB Audio interface - Class 2.0 compliant - Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit
Pré-amplis + Converteur AD pour YAMAHA 01V96i
Focusrite - Scarlett OctoPre - 8-channel pre-amp with ADAT connectivity (x2)
- 8 x Focusrite precision 24-bit conversion at up to 192 kHz resolution with 109dB dynamic range
- 8 x Scarlett second generation pre-amps
- 2 x high-headroom instrument inputs that will handle high output guitar pickups on the front panel for easy access.
- 8 x balanced line outputs, sourced directly from the inputs for live or stand-alone use
- mic input gain: 50 dB
- line input gain: 50 dB
- instrument input gain: 50 dB
- mic input Impedance: 3 kΩ
- line input Impedance: 49 kΩ
- instrument input Impedance: 1 MΩ
- frequency response: 20 Hz - 20 kHz
- noise (EIN): -127 dBu
- distortion: 0.001% (-20dBu @ 1 kHz)
- provides 8 additional analog inputs for YAMAHA 01V96i
Matériel vidéo
Apple - Apple TV 4K (Wi-Fi + Ethernet) - 128 GB
- 4K HDR media player
- HDMI 2.13
- Wi‑Fi 6 (802.11ax) with 2x2 MIMO
- Bluetooth 5.0 wireless technology
- IR receiver
- Built-in power supply
- Thread networking technology
- 4 Gigabit Ethernet connection
- Apple A15 Bionic chip
- 4K Dolby Vision, HDR10+ and Dolby Atmos
Marantz - AV8805A - AV Pre Amplifier
- High-end 13.2 channel AV Pre Amplifier
- HDMI: 8K/60Hz, 4K/120Hz, HDCP 2.3, eARC, CEC, 4:4:4, HDR10, HDR10+, BT.2020, Dolby Vision, HLG, Dynamic HDR
- Decoders: DTS HD Master, DTS:X, DTS Neural:X, DTS Virtual:X, Dolby TrueHD, Dolby Atmos, Dolby Surround, Auro 3D, IMAX Enhanced, Multichannel Stereo
- 15.2 balanced Line level outputs (XLR) connected to a dedicated Avid HD 16x16 Analog I/O for monitoring and analizing Dolby Atmos and Dolby Atmos Music mixes on Blu-ray discs and via streaming services via Apple TV 4K (see above)
SONY - KD-65ZD9 - 65" LED/LCD TV - 4K UHD premium, HDR and 3D
- Flat 165.1 cm (65") LED Full-Array
- TRILUMINOS display
- 4K Ultra HD 3840 x 2160 pixels 16:9 - 120 Hz
- Motionflow XR 1200 Hz
- 4K X-Reality™ PRO, Dual database processing
- Backlight Master Drive™
- Smart TV Internet TV Screen mirroring
- Wi-Fi Ethernet LAN Bluetooth
- High Dynamic Range (HDR) supported
- latest and biggest 3D-compatible LED TV by SONY (2016)
SONY - KDL-W905 - 55" LED/LCD TV - Full HD and 3D
- Flat 139 cm (55") LED Full-Array
- TRILUMINOS display
- Full HD 1920 x 1080 pixels 16:9 - 120 Hz
- Motionflow XR 800 Hz
- Smart TV Internet TV Screen mirroring
- Wi-Fi Ethernet LAN Bluetooth
- High Dynamic Range (HDR) supported
- Full HD 3D-compatible LED TV (2013)
SONY - UBP-X800M2 - 4K HDR Blu-ray + 3D Blu-ray + Blu-ray + DVD + SACD/CD player (region free)
- 4K Ultra HD picture
- Dolby Vision and HDR10
- 4K UHD upscaling up to 60p
- High-Resolution Audio (SACD compatible) and DSEE HX upscaling
- seperate video and audio HDMI outputs
- LAN port for video streaming
- Dolby Atmos and DTS:X
- 3D compatible
- region free
Pharoah Editorial - SynCheck II - Audio/video synchronization and SPL metering tool
- A/V Time alignment made easy
- Works at ANY frame rate
- Highly accurate error readings in milliseconds or 1/16th frames at 24, 25, or 30
- andy C-weighted SPL readings with ½ db resolution User-set SPL calibration marker display
- Simple and quick one hand operation
- Internal microphone 9V standard battery powered
- Line level input jack (cable supplied one end open)
- Test audio and video files supplied (also downloadable)
- was developed by Richard Fairbanks, an Emmy-nominated re-recording mixer, editor, sound supervisor and owner of Manhattan’s Pharoah Audio
- very rare to find and discontinued, was replaced by SynCheck3, but this was also discontinued
UPS + Conditionneur d'alimentation CA
APC - SMX3000HV - Smart-UPS X 3000VA 4U Rack/Tower LCD 200-240V
APC - SMX1000I - Smart-UPS X 1000VA 2U Rack/Tower LCD 200-240V
APC - SC450RMI1U - Smart-UPS SC 450VA 1U Rack/Tower 230V
- APC award-winning Smart-UPS is the most popular UPS in the world for servers, storage and network power protection
- Network grade power conditioning protects from damaging surges and disruptive noise. Solid state automatic voltage regulation boosts low input voltage up to 30% and trims high voltage up to 12% without battery operation. Reliable battery back-up capacity to power through outages or gracefully shutdown systems
- Provides pure sine wave output which is recommended by server manufacturers using active power factor corrected (PFC) power supplies. Safety agency tested and approved means that you can deploy Smart-UPS with confidence that they meet or exceed the industry’s most rigorous standards
- Line Interactive topology with true Sine Wave
- Maintenance-free sealed Lead-Acid battery with suspended electrolyte : leakproof
- LED status display with On Line : On Battery : Replace Battery and Overload indicators, Multi-function LCD status and control
- Output power capacity: 2700 Watts / 3000 VA
- 12 rear panel outlets
- Battery run time at full capacity (2700 Watts) : 6,3 minutes
- 19" rack heigt = 4U
- weight: 39 kg
- also the following UPS units are installed:
- APC - SMX1000I - Smart-UPS X 1000VA 2U Rackmount/Tower LCD 200-240V - used for the protection of the office computers
- APC - SC450RMI1U - Smart-UPS SC 450VA 1U Rackmount/Tower 230V - used for the protection of the LAN / WLAN and for LED emergency lighting
FURMAN - P2300-IT-E - 10A Prestige Symmetrically Balanced Power Conditioner
- Furman is the leader in AC Power conditioning, protection and distribuition solutions for audio, video and broadcast professionals
- symmetrically balanced power virtually eliminates common mode noise for the lowest noise floor possible
- surge protection: Furman’s exclusive SMP technology provides the highest level of surge & spike protection available
- noise filtration: LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity
- Voltage Protection: advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions
- diagnostic lights: Protection OK, Extreme Voltage and color-coded voltage range indicators provide information on power quality and operational status of unit
- Voltmeter / Ammeter: large LED voltmeter/ammeter displays incoming voltage and output current draw
- isolated banks: isolated outlet banks minimize inter-component interference and noise contamination
- front panel USB charger
- 10A / 2300 VA rating featuring a high inrush magnetic circuit breaker for added protection
- 12 rear panel outlets and 2 front panel convenience outlet
- weight: 43 kg.
All equipment in the studio resides behind the APC UPS and the Furman Power Conditioner for the best protection possible with the cleanest symmetrically balanced power
Appareillage supplémentaire
Amplificateurs
- Alesis - RA500 - Studio Reference power amplifier (for YAMAHA - NS 10M Studio monitors) (x2)
- Behringer - POWERPLAY PR0 XL HA 4700 - High power headphone distribution amplifier
(x4)
- Behringer - ULTRALINK PRO MX 882 - 8-Channel Splitter/Mixer (for headphone distribution)
DI boxes
- BSS - AR 133 - Premium Active D.I. Box (x3)
- Hughes & Kettner - Red Box 5 (with guitar cabinet simulator)
- WAVES/PRS Guitar Interface - Ultra-high fidelity guitar pre-amplifier (x2)
Enregistreurs DAT
- SONY - PCM R500 - Professional DAT Recorder
- SONY - A8 - Professional DAT Recorder
Enregistreur Minidisc
- SONY - MDS JE 530 - Minidisc
Enregistreur Compact Cassette
- Technics - RS-B705 - 3 Head Stereo Cassette Deck
Lecteur Vinyl
- Technics - SL 1200 mk 2 - Direct Drive Turntable System
- Rane - PS-1 - Phono RIAA Stage
Appareillage FX vintage
- Ibanez HD-1000 - Harmonics/Delay (1983)
- Roland DEP-3 - Digital Effects Processor (1987)
- Roland DEP-5 - Digital Effects Processor (1986)
LAN + WLAN
- LAN: Ethernet 10/100/1000baseT
- WLAN: Apple - Airport Extreme (x2)
- High speed broadband cable internet connection (Telenet - Download: 300 Mbps - Upload: 30 Mbps)
Câblage
Le câblage critique (= 90% du câblage du studio) est réalisé avec Zaolla Silverline, des câbles avec des conducteurs faits d'argent ultra pur
Tout le câblage additionnel est réalisé avec Klotz et Cordial
Autres listes d'appareillage
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