General equipment list
Remote controllers for Pro Tools | HDX and Logic Pro X
Slate Media Technology - Expanded RAVEN CORE STATION with 2 RAVEN MTi2 27” Multi-Touch Production Consoles
- touchscreen-based production console system
- 2 x RAVEN MTi2 27” Multi-Touch Production Console
- RAVEN 3.5.1 Control Software
- including the award winning BATCH COMMAND SYSTEM
- works with Pro Tools Native, Pro Tools Ultimate and Logic Pro X (and all other major DAW's)
- studio furniture by ZAOR
AVID - S3 Control Surface
- EUCON-enabled control surface for Pro Tools and other DAWs, including Logic Pro X
- based on the award-winning Avid S6 control surface
- 16 touch-sensitive, motorized faders
- 16 10–segment meters, with pre–and post–fade metering options
- 32 touch-sensitive, push-button style rotary encoders
- 32 OLED displays
- ribbon controller for intuitive transport navigation
- paired with the AVID Control app for a whole new level of tactile control
- and paired with 2 x RAVEN MTi2 27” Multi-Touch Production Console (see above), this combination presents the best of 2 worlds: hands-on faders and buttons combined with 2 x 27” touch screens
AVID - Control
- app for tablets and smartphones
- Control lets you wirelessly control a variety of audio and video software, including Pro Tools, Media Composer, Logic Pro X, Cubase, Nuendo, and more
- runs on an Apple iPad Air (3rd generation) Wi-Fi 64 GB
- paired with AVID S3 Control Surface
Neyrinck - V-Control Pro Bundle
- apps for tablets, smartphones and laptop browsers
- V-Control Pro Bundle includes:
- V-Plug-in
- V-Console
- V-Panner
- V-Control Pro 1
- works with all major DAW's
- runs on an Apple iPad Air (3rd generation) Wi-Fi 64 GB
Digital Master Clocks
Apogee - BIG BEN - Master Digital Clock
- DDS Audio Clock generator using Apogee Ultra Low Jitter C777 clock technology
- “SureLock” technology for drop out prevention
- sample rates: 44.1 - 48 - 88.2 - 96 - 176 - 192 kHz (all +/- 10%)
- three stage termination indicator (under/correct/over) on each Word Clock output
- inputs:
- 2 x AES-EBU on XLR 44.1k - 192 kHz single-wide and 88.2 - 192 kHz double-wide
- S/PDIF optical on TOS-LINK 44.1 - 48 kHz
- S/PDIF coaxial on RCA 44.1 - 192 kHz
- ADAT 44.1 - 48 kHz
- ADAT/SMUX II for 88.2 - 96 kHz
- ADAT/SMUX IV for 176.4 - 192 kHz
- Word Clock BNC 44.1 - 192 kHz
- Video
- Firewire
- outputs:
- 2 x AES-EBU on XLR single or double wide 44.1 - 192 kHz
- S/PDIF coaxial 44.1 - 192 kHz
- S/PDIF optical on TOS-LINK 44.1 - 48 kHz
- 6 x BNC Word Clock 44.1 - 192 kHz (of which 2 can output x256fs, x4, x2, 1/2, 1/4 at apropriate sample rates)
- ADAT
- SMUX II
- SMUX IV
- Optional FireWire
- 2 x AES-EBU on XLR single or double wide 44.1 - 192 kHz
AVID - SYNC HD - Pro Tools HD Synchronizer
- High-Fidelity, Low-Jitter Clock
- supports all Pro Tools HD sample rates: 44.1 - 48 - 88.2 - 96 - 176 - 192 kHz (all +/- 10%)
- supports all Major Industry- Standard Clock Sources
- supports SD and HD video reference input (tri-level sync) up to 1080p/60fps
- supported Positional Reference Sources:
- LTC
- VITC
- Bi-phase/Tach
- Internal Time code Generator
- supported Clock Reference Sources:
- Loop Sync (Pro Tools HD)
- Reference Video
- Composite Video Input
- Word Clock
- AES/EBU Null
- Pilot Tone
- Internal Crystal
- Bi-phase/Tach
- LTC
- Output and Generation:
- Loop Sync (Pro Tools HD)
- digidesign Super Clock ( x256fs sample clock)
- Word Clock (x1fs sample clock)
- AES/EBU null clock (AES 'digital black')
- VITC (if a video input is present)
- LTC
- MIDI Time Code
- Two 9-pin Sony P-2 machine Protocol ports
ROSENDAHL - nanosyncs - DDS Audio Clock and Video Sync Reference Generator
- DDS Audio Clock generator
- Video Sync Reference generator
- sample rates: 44.1 - 48 kHz + Output Multiplier x2fs (88,2 and 96 kHz) and x256fs (digidesign Super Clock)
- LTC Time Code input / output (through)
- inputs:
- Word Clock BNC 44.1 - 48 kHz
- Video
- Word Clock BNC 44.1 - 48 kHz
- outputs:
- AES-EBU Null on XLR 44.1 - 96 kHz
- S/PDIF coaxial 44.1 - 96 kHz
- 3 x BNC Word Clock 44.1 - 96 kHz
- 3 x BNC Word Clock x256fs (digidesign Super Clock)
- AES-EBU Null on XLR 44.1 - 96 kHz
Pre-amplifiers for microphones
Focusrite - RED 1 - Quad Microphone Pre-Amplifier (x2)
- 4 ultrahigh quality Focusrite preamps
- the same circuit topology as the original ISA mic pre designs with original Lundahl LL1538 input transformer
- mic input gain -6 dB to +60 dB in 6 dB steps
- mic Input Impedance: 1200 Ohm +/- 15%, balanced and floating
- output: +24 dBm into 600 Ohm, +26 dBm into 10k Ohm, balanced and floating
- frequency response: 10 Hz - 140 kHz
- noise (EIN): -127 dBu (input loaded 200 Ohm) @ 60 dB gain
- distortion: 0.003% (-20dBu @ 1 kHz)
Focusrite - ISA 828 + ISA 8-channel 192 kHz ADC card for ISA 828
- 8-channel ISA Microphone pre-amplifier with Variable Input Impedance
- 8 original Focusrite ISA transformer-based microphone pre amps with original Lundahl LL1538 input transformer
- 8 line / 4 instrument inputs with high and low impedance options
- mic input gain -6 dB to +60 dB in 10 dB steps
- input Impedance, variable: 600Ω, 1k4Ω, 2k4Ω, 6k8Ω
- output: +24 dBm into 600 Ohm, +26 dBm into 10k Ohm, balanced and floating
- frequency response: 10 Hz - 110 kHz
- noise (EIN): -126 dB (input loaded 150 Ohm) @ 60 dB gain
- distortion: 0.0008% (-20dBu @ 1 kHz)
- ISA 8-channel 192 kHz ADC card installed:
- features Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips
- AD conversion at sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz ±10%
- connected to AVID (digidesign) - 192 Digital I/O - 16-channel 192 kHz 24-bit Digital Interface (see below)
Audio interfaces for Pro Tools | HDX
Apogee - ROSETTA 200 - 2 x 2 channel 192 kHz 24-bit AD/DA Converter & Sample Rate Converter
- legendary Apogee Conversion in High-Definition
- "Intelliclock": Dual Stage Jitter Reduction
- "SoftLimit": Maximize Levels, Minimize Overs
- C.O.D.A.: the "APTOMIZER Level Normaliser, Sample Rate Conversion (SRC) and Apogee's "UV22HR" for superior dither to 16-bit
- 2 channels of 24-bit supported AES,
- 2 channels of 24-bit supported S/PDIF I/O (coax & optical - up to 96 kHz)
- 2 channels of 24-bit supported ADAT I/O
- sample rates: 44.1 - 48 - 88.2 - 96 - 176 - 192 kHz (all +/- 10%)
- frequency response: 10Hz - 20 kHz
- dynamic range: 114 dB A weighted (AD + DA)
- THD+N: -105 dB (AD), -103 dB (DA)
AVID - HD I/O 16x16 Analog - 16 x 16 channel 192 kHz 24-bit AD/DA Converter (x2)
- 16 x 16 channel 192 kHz 24-bit AD/DA Converter for Pro Tools | HDX
- build-in 16-channel 192 kHz 24-bit AD
- build-in 16-channel 192 kHz 24-bit DA
- 16 analog inputs (+4 dBu or -10 db(V))
- 16 analog outputs (+4 dBu or -10 db(V))
- 2 channels of 24-bit supported AES/EBU I/O (up to 192 kHz)
- 8 channels of 24-bit supported ADAT I/O (up to 48 kHz)
- 2 channels of 24-bit supported S/MUX II (up to 96 kHz)
- 2 channels of 24-bit supported S/MUX IV (up to 192 kHz)
- 2 channels of 24-bit supported S/PDIF I/O (coax & optical - up to 96 kHz)
- sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz (all +/- 10%)
- soft clip and curv limiting circuits to protect against clipping on analog input
- frequency response: ±0.05 dB @ +2 dBu, 20 Hz - 20 kHz
- dynamic range: 122 dB (A-weighted), 118 dB (unweighted)
- THD+N ADC: 0.0002% (-114 dB) - dynamic range 122 dB
- THD+N DAC: 0.00032% (-110 dB) - dynamic range 125 dB
AVID - HD I/O 16x16 Digital - 16 x 16 channel 192 kHz 24-bit Digital Interface
- 16 + 2 channels of 24-bit supported AES/EBU I/O (up to 192 kHz)
- 16 + 8 channels of 24-bit supported ADAT I/O (up to 192 kHz)
- S/MUX II and S/MUX IV
- 2 channels of 24-bit supported S/PDIF I/O (coax & optical - up to 96 kHz)
- sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz (all +/- 10%)
- real-time sample rate conversion on digital inputs (up to sixteen channels of AES/EBU, Optical, or TDIF)
- frequency response: ±0.05 dB @ +2 dBu, 20 Hz - 20 kHz
- dynamic range: 122 dB (A-weighted), 118 dB (unweighted)
- THD+N ADC: 0.0002% (-114 dB) - dynamic range 122 dB
- THD+N DAC: 0.00032% (-110 dB) - dynamic range 125 dB
AVID (digidesign) - 192 I/O - 16 x 8 channel 192 kHz 24-bit AD/DA Converter
- 16 x 8 channel 192 kHz 24-bit AD/DA Converter for Pro Tools | HDX
- build-in 8-channel 192 kHz 24-bit AD + additional 8-channel 192 kHz 24-bit AD card
- build-in 8-channel 192 kHz 24-bit DA
- 16 analog inputs (+4 dBu or -10 db(V))
- 8 analog outputs (+4 dBu or -10 db(V))
- 10 channels of 24-bit supported AES/EBU I/O (up to 192 kHz)
- 8 channels of 24-bit supported Optical (ADAT) I/O (up to 48 kHz)
- 8 channels of 24-bit supported TDIF I/O (up to 48 kHz)
- 2 channels of 24-bit supported S/PDIF I/O (up to 96 kHz)
- sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz (all +/- 10%)
- frequency response: ±0.05 dB @ +2 dBu, 20 Hz - 20 kHz
- dynamic range: 120 dB (A-weighted), 118 dB (unweighted)
- THD+N ADC: 0.00035% (-109 dB) - dynamic range 120 dB
- THD+N DAC: 0.00056% (-105 dB) - dynamic range 118 dB
AVID (digidesign) - 192 Digital I/O - 16 x 16 channel 192 kHz 24-bit Digital Interface (x3)
- 16 x 16 channel 192 kHz 24-bit Digital Interface for Pro Tools | HDX
- 16 channels of 24-bit supported AES/EBU I/O (up to 192 kHz)
- 16 channels of 24-bit supported Optical (ADAT) I/O (up to 48 kHz)
- 16 channels of 24-bit supported TDIF I/O (up to 48 kHz)
- 2 channels of 24-bit supported S/PDIF I/O (up to 96 kHz)
- sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz (all +/- 10%)
Behringer - ULTRAMATCH PRO SRC 2496 - 2 x 2 channel 96 kHz 24-bit - AD/DA Converter & Sample Rate Converter (x5)
- 96 kHz 24-bit AD and DA converter
- high-precision quartz clock generator
- 2 channels of AES and S/PDIF (coax & optical)
- Converts any sample rate between 31 and 100 kHz into 32, 44.1, 48, 88.2 or 96 kHz sample rates
- frequency response: 20Hz - 20 kHz
- dynamic range: 116 dB A weighted (AD + DA)
- THD+N: -105 dB (AD), -108 dB (DA)
- I don't use the AD/DA conversion path, I use them as digital Swiss Army knifes for converting digital audio streams (AES/EBU and S/P DIF), digital input selection and as sample rate convertors locked to house clock from the Apogee Big Ben
Audio interface for Apple Mac Pro
Focusrite - Saffire PRO 24 DSP - 4-channel 96 kHz 24-bit AD/DA Converter (x2)
- High-quality 24-bit / 96 kHz FireWire / Thunderbolt™ interface
- 2 high-quality award-winning Focusrite pre-amps
- Virtual Reference Monitoring (VRM)
- onboard DSP-powered, ultra-low-latency tracking and mixing tools
- Saffire MixControl ultra-low-latency DSP mixer/router
- JetPLL™ jitter reduction technology
- total I/O count of 16 inputs and 8 outputs
- mic input gain +13 dB to +60 dB
- mic input Impedance: 2 kΩ
- frequency response: 20 Hz - 20 kHz
- noise (EIN): -124 dB (input loaded 150 Ohm) @ 60 dB gain
- distortion: 0.001% (-20dBu @ 1 kHz)
Main Stereo and Surround Reverb/Effects Processor
Lexicon - PCM96 Surround D - Parallel Stereo and Surround Reverb/Effects Processor
- 50 legendary Lexicon reverbs, delays, and modulation effects
- parallel Stereo and Surround configurations
- Lexicon's new Surround Room algorithm, used to generate a vast array of room-related effects for music and post
- new Pitch algorithms
- over 2200 factory presets, including recognizable classics from Lexicon's immense library of sounds
- 32-bit floating point processing
- sample rates up to 96kHz
- 6 XLR Stereo AES/EBU inputs and outputs
- external BNC Wordclock
- MIDI in, out and thru
- 768 user presets
- Compact Flash for additional storage
Stereo and Surround Reverbs & Effects:
- Room
- Hall
- Chamber
- Random Delay
- Classic (Random Hall)
- Plate
- Dual Delay
- Ambience
- Resonant Chords
- Chorus/Flange
- Concert Hall
- Signal Generator
- Pitch
Mono Reverbs & Effects:
- Chamber
- Hall
- Plate
- Room
- Chorus/Flange
- Dual Delay
- Random Delay
- Random Hall
- Resonant Chords
- Signal Generator
- Pitch
Mixers for synthesizers
YAMAHA - 01V96i - 40-channel 96 kHz 24-bit Digital Mixing Console (x2)
- mixing of 32 mono channels + 4 stereo channels at 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz
- 24-bit / 96k Hz AD / DA converters with 128x oversampling
- 4 x SPX multi effect processors
- Virtual Circuitry Modeling DSP effects
- REV-X Reverb
- 4-Band EQ + compressor and gate per mono channel
- 17 x 100 mm motor fader
- ADAT I/O
- S/P DIF I/O (coaxial)
- 16 channels of bi-directional USB audio streaming
- 12 x mono XLR / jack Mic / Line inputs with high-performance mic preamps
- 4 x jack Line inputs
- expanded with MY8-AD96 card with 8 analog 24 bit line inputs at 96 kHz
YAMAHA - MG16XU - 16-channel Analog Mixing Console
- mixing of 16 mono channels
- 1 x SPX multi effect processors
- 3-Band EQ per channel
- 8 x 1 knob compressors
- 16 x 60 mm fader
- 8 x mono XLR / jack Mic / Line inputs with high-performance D-PRE mic preamps
- 2 x mono/stereo XLR / jack Line inputs
- 2 x stereo jack / RCA Line inputs
- Digital I/O: 2 in/2out USB Audio interface - Class 2.0 compliant - Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit
Preamplifier + AD Convertor for YAMAHA 01V96i
Focusrite - Scarlett OctoPre - 8-channel preamp with ADAT connectivity (x2)
- 8 x Focusrite precision 24-bit conversion at up to 192 kHz resolution with 109dB dynamic range
- 8 x Scarlett second generation pre-amps
- 2 x high-headroom instrument inputs that will handle high output guitar pickups on the front panel for easy access.
- 8 x balanced line outputs, sourced directly from the inputs for live or stand-alone use
- mic input gain: 50 dB
- line input gain: 50 dB
- instrument input gain: 50 dB
- mic input Impedance: 3 kΩ
- line input Impedance: 49 kΩ
- instrument input Impedance: 1 MΩ
- frequency response: 20 Hz - 20 kHz
- noise (EIN): -127 dBu
- distortion: 0.001% (-20dBu @ 1 kHz)
- provides 8 additional analog inputs for YAMAHA 01V96i
Video equipment
Apple - Apple TV 4K (Wi-Fi + Ethernet) - 128 GB
- 4K HDR media player
- HDMI 2.13
- Wi‑Fi 6 (802.11ax) with 2x2 MIMO
- Bluetooth 5.0 wireless technology
- IR receiver
- Built-in power supply
- Thread networking technology
- 4 Gigabit Ethernet connection
- Apple A15 Bionic chip
- 4K Dolby Vision, HDR10+ and Dolby Atmos
Marantz - AV8805A - AV Pre Amplifier
- High-end 13.2 channel AV Pre Amplifier
- HDMI: 8K/60Hz, 4K/120Hz, HDCP 2.3, eARC, CEC, 4:4:4, HDR10, HDR10+, BT.2020, Dolby Vision, HLG, Dynamic HDR
- Decoders: DTS HD Master, DTS:X, DTS Neural:X, DTS Virtual:X, Dolby TrueHD, Dolby Atmos, Dolby Surround, Auro 3D, IMAX Enhanced, Multichannel Stereo
- 15.2 balanced Line level outputs (XLR) connected to a dedicated Avid HD 16x16 Analog I/O for monitoring and analizing Dolby Atmos and Dolby Atmos Music mixes on Blu-ray discs and via streaming services via Apple TV 4K (see above)
SONY - KD-65ZD9 - 65" LED/LCD TV - 4K UHD premium, HDR and 3D
- Flat 165.1 cm (65") LED Full-Array
- TRILUMINOS display
- 4K Ultra HD 3840 x 2160 pixels 16:9 - 120 Hz
- Motionflow XR 1200 Hz
- 4K X-Reality™ PRO, Dual database processing
- Backlight Master Drive™
- Smart TV Internet TV Screen mirroring
- Wi-Fi Ethernet LAN Bluetooth
- High Dynamic Range (HDR) supported
- latest and biggest 3D-compatible LED TV by SONY (2016)
SONY - KDL-W905 - 55" LED/LCD TV - Full HD and 3D
- Flat 139 cm (55") LED Full-Array
- TRILUMINOS display
- Full HD 1920 x 1080 pixels 16:9 - 120 Hz
- Motionflow XR 800 Hz
- Smart TV Internet TV Screen mirroring
- Wi-Fi Ethernet LAN Bluetooth
- High Dynamic Range (HDR) supported
- Full HD 3D-compatible LED TV (2013)
SONY - UBP-X800M2 - 4K HDR Blu-ray + 3D Blu-ray + Blu-ray + DVD + SACD/CD player (region free)
- 4K Ultra HD picture
- Dolby Vision and HDR10
- 4K UHD upscaling up to 60p
- High-Resolution Audio (SACD compatible) and DSEE HX upscaling
- seperate video and audio HDMI outputs
- LAN port for video streaming
- Dolby Atmos and DTS:X
- 3D compatible
- region free
Pharoah Editorial - SynCheck II - Audio/video synchronization and SPL metering tool
- A/V Time alignment made easy
- Works at ANY frame rate
- Highly accurate error readings in milliseconds or 1/16th frames at 24, 25, or 30
- andy C-weighted SPL readings with ½ db resolution User-set SPL calibration marker display
- Simple and quick one hand operation
- Internal microphone 9V standard battery powered
- Line level input jack (cable supplied one end open)
- Test audio and video files supplied (also downloadable)
- was developed by Richard Fairbanks, an Emmy-nominated re-recording mixer, editor, sound supervisor and owner of Manhattan’s Pharoah Audio
- very rare to find and discontinued, was replaced by SynCheck3, but this was also discontinued
UPS + AC Power Conditioning
APC - SMX3000HV - Smart-UPS X 3000VA 4U Rack/Tower LCD 200-240V
APC - SMX1000I - Smart-UPS X 1000VA 2U Rack/Tower LCD 200-240V
APC - SC450RMI1U - Smart-UPS SC 450VA 1U Rack/Tower 230V
- APC award-winning Smart-UPS is the most popular UPS in the world for servers, storage and network power protection
- Network grade power conditioning protects from damaging surges and disruptive noise. Solid state automatic voltage regulation boosts low input voltage up to 30% and trims high voltage up to 12% without battery operation. Reliable battery back-up capacity to power through outages or gracefully shutdown systems
- Provides pure sine wave output which is recommended by server manufacturers using active power factor corrected (PFC) power supplies. Safety agency tested and approved means that you can deploy Smart-UPS with confidence that they meet or exceed the industry’s most rigorous standards
- Line Interactive topology with true Sine Wave
- Maintenance-free sealed Lead-Acid battery with suspended electrolyte : leakproof
- LED status display with On Line : On Battery : Replace Battery and Overload indicators, Multi-function LCD status and control
- Output power capacity: 2700 Watts / 3000 VA
- 12 rear panel outlets
- Battery run time at full capacity (2700 Watts) : 6,3 minutes
- 19" rack heigt = 4U
- weight: 39 kg
- also the following UPS units are installed:
- APC - SMX1000I - Smart-UPS X 1000VA 2U Rackmount/Tower LCD 200-240V - used for the protection of the office computers
- APC - SC450RMI1U - Smart-UPS SC 450VA 1U Rackmount/Tower 230V - used for the protection of the LAN / WLAN and for LED emergency lighting
FURMAN - P2300-IT-E - 10A Prestige Symmetrically Balanced Power Conditioner
- Furman is the leader in AC Power conditioning, protection and distribuition solutions for audio, video and broadcast professionals
- symmetrically balanced power virtually eliminates common mode noise for the lowest noise floor possible
- surge protection: Furman’s exclusive SMP technology provides the highest level of surge & spike protection available
- noise filtration: LiFT offers AC power filtering to ensure clean power for unequaled audio & video clarity
- Voltage Protection: advanced EVS circuitry detects dangerous voltage irregularities and safely powers down itself and connected equipment in unsafe conditions
- diagnostic lights: Protection OK, Extreme Voltage and color-coded voltage range indicators provide information on power quality and operational status of unit
- Voltmeter / Ammeter: large LED voltmeter/ammeter displays incoming voltage and output current draw
- isolated banks: isolated outlet banks minimize inter-component interference and noise contamination
- front panel USB charger
- 10A / 2300 VA rating featuring a high inrush magnetic circuit breaker for added protection
- 12 rear panel outlets and 2 front panel convenience outlet
- weight: 43 kg.
All equipment in the studio resides behind the APC UPS and the Furman Power Conditioner for the best protection possible with the cleanest symmetrically balanced power
Supplementary equipment
Amplification
- Alesis - RA500 - Studio Reference power amplifier (for YAMAHA - NS 10M Studio monitors) (x2)
- Behringer - POWERPLAY PR0 XL HA 4700 - High power headphone distribution amplifier
(x4)
- Behringer - ULTRALINK PRO MX 882 - 8-Channel Splitter/Mixer (for headphone distribution)
DI boxes
- BSS - AR 133 - Premium Active D.I. Box (x3)
- Hughes & Kettner - Red Box 5 (with guitar cabinet simulator)
- WAVES/PRS Guitar Interface - Ultra-high fidelity guitar pre-amplifier (x2)
DAT recorders
- SONY - PCM R500 - Professional DAT Recorder
- SONY - A8 - Professional DAT Recorder
Minidisc recorder
- SONY - MDS JE 530 - Minidisc
Compact Cassette recorder
- Technics - RS-B705 - 3 Head Stereo Cassette Deck
Vinyl disc turntable
- Technics - SL 1200 mk 2 - Direct Drive Turntable System
- Rane - PS-1 - Phono RIAA Stage
Vintage FX equipment
- Ibanez HD-1000 - Harmonics/Delay (1983)
- Roland DEP-3 - Digital Effects Processor (1987)
- Roland DEP-5 - Digital Effects Processor (1986)
LAN + WLAN
- LAN: Ethernet 10/100/1000baseT
- WLAN: Apple - Airport Extreme (x2)
- High speed broadband cable internet connection (Telenet - Download: 300 Mbps - Upload: 30 Mbps)
Cabling
All critical cabling is done with Zaolla Silverline, cables with conductors made of ultra pure solid silver
All additional cabling is done with Klotz AIS and Cordial
Other equipment lists
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