Guitars, basses, amplifiers, FX pedals, etc...
Acoustic /electric guitars (spanish style)
Takamine - Pro Series 5 - Acoustic/Electric Guitar (metal 6 string)
- Takamine - Pro Series 5 - P5NC - contemporary metal 6 string acoustic/electric guitar (2012)
- NEX body (with Venetian cutaway)
- solid spruce top, solid rosewood back and rosewood sides with cream binding
- mahogany neck and rosewood fingerboard with 20 MJ frets and pearloid “dot-in-dot” position inlays
- scale length = 25,6" (650 mm)
- gold plated hardware
- Takamine CT4-DX dual preamp system with Palathetic™ under-saddle pickup and onboard chromatic tuner
- 1/4" output
- strings: Elixir 16027 Nanoweb phosphor bronze (roundwound - custom light gauge .011 .015 .022 .032 .042 .052)
Takamine - Pro Series 3 - Acoustic/Electric Guitar (metal 12 string)
- Takamine - Pro Series 3 - P3DC-12 - contemporary metal 12 string acoustic/electric guitar (2012)
- Dreadnought cutaway body
- solid cedar top, solid sapele back and sapele sides with cream binding
- mahogany neck and rosewood fingerboard with 20 MJ frets and wood “dot-in-dot” position inlays
- scale length = 25,6" (650 mm)
- gold plated hardware with amber buttons
- Takamine CT4-DX dual preamp system with Palathetic™ under-saddle pickup and onboard chromatic tuner
- 1/4" output
- strings: D'Addario® EXP 38 Coated phosphor bronze 12 string (roundwound - light gauge plain steel .010/.10 .014/.014 phosphor bronze wound .023/.008(p) .030/.012(p) .039/.018(p) .047/.027(w))
- the acoustic 12-string guitar model was made world famous by e.g. Stevie Ray Vaughan, Paul Simon, Neil Young, Tim Buckley, John Denver, DAVID Bowie, Jimmy Page ( Led Zeppelin), Justin Hayward and John Lodge ( Moody Bluse), Robert Smith (The Cure), Wayne Hussey (The Mission) and Thom Yorke (Radiohead)
Takamine - Pro Series 3 - Acoustic/Electric guitar (nylon 6 string)
- Takamine - Pro Series 3 - P3FCN - contemporary nylon string acoustic/electric guitar (2013)
- FXC body (with Venetian cutaway)
- solid cedar top, solid sapele back and sapele sides with cream binding
- mahogany neck and rosewood fingerboard with 20 MJ frets and wood “dot-in-dot” position inlays
- scale length = 25,6" (650 mm)
- gold plated hardware with amber buttons
- Takamine CT4B II preamp system with Palathetic™ under-saddle pickup and onboard chromatic tuner
- 1/4" output
- strings: D'Addario EJ45C Pro-Arte clear nylon silverplated wound (roundwound - normal tension .028 .0322 .036 .028 .035 .044)
Acoustic/electric baritone guitar (spanish style)
Ibanez - AEL Series - Baritone Acoustic/Electric Guitar (tuned B to B)
- Ibanez AELBT1-NT Baritone Acoustic/Electric Guitar (2013)
- AEL body
- mahogany top, back and sides
- mahogany neck and rosewood fingerboard with 20 MJ frets and dot shaped position inlays
- scale length = 27" (686 mm)
- chrome hardware
- Ibanez AEQ-SP2 preamp with onboard chromatic tuner with under-saddle Fishman® Sonicore pickup
- balanced XLR & 1/4" outputs
- strings: D'Addario® EXP23 Coated Phosphor Bronze Baritone (roundwound - medium gauge .016 .022 .029 .048 .060 .070 - tuning B-E-A-D-F♯-B)
Acoustic/electric bass guitars (spanish style)
Ibanez - Acoustic/Electric Grand Concert Bass Guitar Open Pore Natural
- Ibanez PCBE12MH OPN Acoustic/Electric Grand Concert Bass Guitar Open Pore Natural (2013)
- Grand Concert body
- mahogany top, back and sides
- mahogany neck and rosewood fingerboard with 21 MJ frets and pearloid dot shaped position inlays
- scale length = 32" (810 mm)
- chrome hardware
- Ibanez AEQ202T preamp with under-saddle pickup and onboard chromatic tuner
- 1/4" output
- strings: Fender 7060 phosphor bronze medium scale bass (regular gauge .045 .065 .080 .100)
Takamine - G Series - Acoustic/Electric Bass Guitar Brown Sunburst
- Takamine - G Series - GB72CE-BSB - contemporary acoustic/electric jumbo bass guitar (2013)
- Bass body (with Venetian cutaway)
- solid spruce top, laminated flame maple back and sides with white binding
- mahogany neck and rosewood fingerboard with 21 MJ frets and pearl-dot position inlays
- scale length = 34" (864 mm)
- gold die-cast tuners
- Takamine TK-40B preamp system with onboard chromatic tuner
- 1/4" output
- strings: D'Addario EXP EPBB170 coated phosphor bronze long scale bass (regular gauge .045 .065 .080 .100)
Electric guitars (hollow body/semi-hollow body)
GRETSCH - Tim Armstrong Signature Electromatic® Hollow Body Matte Vintage Maho Stain Black
- GRETSCH - G5191BK - Tim Armstrong Signature Electromatic® Hollow Body - Matte Vintage Maho Stain Black (2013)
- Nashville® laminated maple body with cream binding
- maple neck and rosewood fingerboard with cream binding, 22 J frets and acrylic block shaped position inlays
- single ply bound F holes
- scale length = 24.33" (618 mm)
- HH = 2 x Black Top Filter'Tron™ humbucking pickups
- gold plated hardware
- strings: D'Addario EXL115 nickel wound (roundwound - medium gauge plain steel .011 .014 .018 nickel wound .028 .038 .049)
- unique features: block acrylic inlay position markers, gold-plated Hardware, graphite nut, black headstock overlay, Grover® tuners, gold-plated pickup bezels, harp tailpiece, pearloid Gretsch® headstock inlay, 4-Ply bound top and back, 3-Ply bound fingerboard & headstock, single ply bound F holes, knurled strap retainer knobs, "Blacktop" Filter'Tron™ pickups, adjustable truss rod , Tim Armstrong signature on truss rod cover
- Tim Armstrong is lead singer and guitar player in the punk-band Rancid, The Transplants and Operation Ivy (1987-1989) + he is the owner of the ska- en punklabel Hellcat Records
GRETSCH - Electromatic® Hollow Body 12-String Sunburst
- GRETSCH - G5422DC-12 - Electromatic® Hollow Body 12-String Sunburst (2014)
- Nashville® laminated maple body with white binding
- maple neck and rosewood fingerboard with white binding, 22 MJ frets and pearloid hump-block shaped position inlays
- single ply bound F holes
- scale length = 24.5" (622 mm)
- HH = 2 x Black Top Filter'Tron™ humbucking pickups
- chrome plated hardware
- unique features: hump-block fingerboard inlays, bound body top and back, bound sound holes and fingerboard, silver plexi pickguard, knurled strap retainer knobs, adjustable truss rod, "G" cutout tailpiece
- strings: D'Addario EXL150 nickel wound (roundwound - regular light gauge 010/.010 .013./013 .017/.008 .026w/.012p .036w/.018p .046w/.026w)
GRETSCH - Electromatic® Semi-Hollow Body Center-Block Rosa Red
- GRETSCH - G5622T-CB - Electromatic® CENTER-BLOCK Rosa Red (2015)
- 5-Ply Maple laminated maple body with white binding
- maple neck and rosewood fingerboard with white binding, 21 MJ frets and offset pearloid Neo-Classic™ "Thumbnail" shaped position inlays
- single ply bound "cats-eye" holes
- spruce Center-Block
- scale length = 24.6" (625 mm)
- HHH = 3 x Dual-Coil SUPER HiLo'Tron™ humbucking pickups (2-position toggle: middle pickup On/Off)
- chrome-plated hardware
- anchored Adjusto-Matic™ Bigsby®-licensed B70 vibrato tailpiece
- unique features: spruce CENTER-BLOCK, white pearloid neo-classic™ "thumbnail" position inlays, bound body bop and back, bound "cats-eye" sound holes and fingerboard, Grover® tuners, knurled strap retainer knobs, adjustable truss rod with 2-Ply B/W cover, black plexi pickguard with white Gretsch logo and black painted headstock with pearloid Gretsch logo
- strings: D'Addario EXL115 nickel wound (roundwound - medium gauge plain steel .011 .014 .018 nickel wound .028 .038 .049)
Electric guitars (solid body)
ESP Ltd - AX Series - Battle Axe Black
- ESP Ltd - AX Series - AX-360 BLK - Black (2012)
- mahogany body with EXP exclusive Battle Axe design
- mahogany neck and bound rosewood fingerboard with 24 XJ frets with small offset pearloid block shaped position inlays
- scale length = 25.5" (648 mm)
- HH = 2 x EMG 81 active humbucker pickups
- Tune-O-Matic style string-thru bridge
- black nickel hardware
- strings: D'Addario EXL110 nickel wound (roundwound - regular light gauge plain steel .010 .013 .017 nickel wound .026 .036 .046)
ESP Ltd - Signature Series - James Hetfield Truckster Guitar Aged Black Satin
- ESP Ltd - Signature Series - James Hetfield TRUCKSTER BLKS - Aged Black Satin (2012)
- mahogany body
- mahony neck and bound rosewood fingerboard with white binding, 22 XJ frets and pearloid flag shaped position inlays
- scale length = 24.75" (629 mm)
- HH = 1 x EMG JH (James Hetfield) Set (bridge pickup) + 1 x EMG JH (James Hetfield) Set (neck pickup)
- chrome satin hardware
- ESP Ltd locking tuners
- Tonepros locking TOM bridge
- strings: D'Addario EXL110 nickel wound (roundwound - regular light gauge plain steel .010 .013 .017 nickel wound .026 .036 .046)
- James Hetfield signature on headstock
- James Hetfield is lead vocalist, rhythm guitarist and main songwriter for the American heavy metal band Metallica
Fender - Artist Series - Jim Adkins JA-90 Telecaster® Thinline Crimson Red Transparent
- Fender - Artist Series - Jim Adkins JA-90 Telecaster® Thinline Crimson Red Trans RW (2015)
- ash body with a F-hole (it could be considered to be a semi-hollow body, however the cavity is very small)
- maple neck and rosewood fingerboard with 22 MJ frets and pearloid dot shaped position inlays
- scale length = 24.75" (629 mm)
- SS = 1 x Seymour Duncan® SP90-3B Vintage P-90 (bridge pickup) + 1 x Seymour Duncan® SP90-1NRWRP Vintage Reverse Wound/Reverse Polarity P-90 (neck pickup)
- chrome vintage-style Adjusto-Matic™ bridge with anchored-tailpiece
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
- unique features: matching painted headstock, Jim Adkins signature on back of headstock, black plastic parts, knurled dome knobs, white pearloid dot position inlays, graphite nut, oversized strap buttons
- this is the only Fender guitar with P-90 pick-ups
- due to the Adjusto-Matic™ bridge with anchored-tailpiece + the P-90 pick-ups + the scale length of 24.75" (629 mm) this guitar is considered to be a hybrid between a Fender Telecaster® Thinline and a Gibson LP or SG
- the color Crimson Red Transparent is rather exceptional for a Fender guitar and resembles the color Herritage Cherry used by Gibson on a lot of their SG models
- Jim Adkins is the lead singer and guitarist of the American rock band Jimmy Eat World
Fender - Artist Series - Kurt Cobain Jaguar® NOS 3-Color Sunburst
- Fender - Artist Series - Kurt Cobain Jaguar® NOS 3-Color Sunburst (2015)
- alder body
- rosewood neck and bound rosewood fingerboard with 22 MJ frets and pearloid dot shaped position inlays
- scale length = 24" (610 mm)
- HH = 1 x DiMarzio® DP100 Super Distortion Humbucking (bridge pickup) + 1 x DiMarzio® PAF DP-103 (neck pickup)
- black chrome Adjusto-Matic™ bridge with chrome vintage-style "floating" tremolo tailpiece and tremolo lock button
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: D'Addario EXL140 nickel wound (roundwound - light top/heavy bottom gauge plain steel .010 .013 .017 nickel wound .030 .042 .052)
- unique features: Stratocaster® headstock, toggle pickup selector switch, custom "Fender" engraved neckplate, white bound fingerboard, '50s style spaghetti logo decal, knurled chrome dome control knobs, modified lower switch plate with single toggle switch, aged white pickup covers with black pickup bezels, tremolo tip and switch tip, dual "wing" string trees
- Kurt Cobain (USA 1967 - 1994) was the lead singer, guitarist, and primary songwriter of the American rock band Nirvana
Fender - Artist Series - Jimi Hendrix Stratocaster® Black
- Fender - Artist Series - Jimi Hendrix Stratocaster® Black (2015)
- alder body
- maple neck and maple fingerboard with 21 MJ frets and black dot shaped position inlays
- scale length = 25.5" (648 mm)
- SSS = 3 x American Vintage '65 Gray-Bottom Single-Coil Strat pickups
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: D'Addario EXL110 nickel wound (roundwound - regular light gauge plain steel .010 .013 .017 nickel wound .026 .036 .046)
- unique features: reverse headstock, reverse angled bridge pickup, Jimi Hendrix signature on back of headstock, engraved neck plate with Jimi Hendrix likeness
- Jimi Hendrix (USA 1942 - 1970) was lead singer and guitar player, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music"
Fender - Artist Series - Chris Shiflett Telecaster® Deluxe Arctic White
- Fender - Artist Series - Chris Shiflett Telecaster® Deluxe Arctic White (2013)
- alder body
- maple neck and rosewood fingerboard with 21 MJ frets and pearloid dot shaped position inlays
- scale length = 25.5" (648 mm)
- HH = 1 x CS1 Humbucking (bridge pickup) + 1 x CS2 Humbucking (neck pickup)
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
- unique features: 12" radius, new CS1 and CS2 humbucking pickups, 4-Ply white pearloid pickguard, black skirted amp control knobs, Chris Shiflet signature on back of headstock
- Chris Shiflett (USA) is guitar player in the American band Foo Fighters since 1999 and in his own country band Chris Shiflett & the Dead Peasants
Fender - Artist Series - Troy Van Leeuwen Jazzmaster® Oxblood
- Fender - Artist Series - Troy Van Leeuwen Jazzmaster® Oxblood (2015)
- alder body
- maple neck and bound rosewood fingerboard with 21 Vintage-Style frets and pearloid block shaped position inlays
- scale length = 25.5" (648 mm)
- SS = 2 x American Vintage '65 Single-Coil Jazzmaster pickups
- Jazzmaster® bridge with nickel-plated brass Mustang® saddles and vintage style "floating" tremolo tailpiece
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: D'Addario EXL110 nickel wound (roundwound - regular light gauge plain steel .010 .013 .017 nickel wound .026 .036 .046)
- unique features: Troy Van Leeuwen signature on back of headstock, 2-position toggle lead/rhythm switch in upper position, metallic oxblood paint, matching painted headstock face, white plastic parts, "witch hat" control knobs,ssingle "wing" string tree, vintage-style strap buttons
- Troy Van Leeuwen is a guitar player in the bands Queens of the Stone Age, Desert Sessions, Enemy, Failure, The Wondergirls, A Perfect Circle, The Gutter Twins, Eagles of Death Metal, Mark Lanegan, Sweethead and Puscifer
Fender - Standard Series - Stratocaster® - Olympic White - 50th Anniversary Edition - custom upgraded with 3 x Fender Custom Shop Custom ’69 Strat single-coil pickups
- Fender - Standard Series - Stratocaster® - Olympic White RW - 50th Anniversary Edition (1996)
- alder body
- maple neck and rosewood fingerboard with 21 MJ frets and pearloid dot shaped position inlays
- scale length = 25.5" (648 mm)
- SSS = 3 x Fender Custom Shop Custom ’69 Strat single-coil pickups - Enamel-coated with Alnico V magnets
- 6-saddle vintage-style synchronized tremolo
- unique features: Fender Custom Shop Custom ’69 Strat single-coil pickups
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- custom upgraded with Fender American vintage tremolo bridge (chrome)
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
Fender - Standard Series - Stratocaster® - Candy Apple Red MN - custom upgraded with an EMG Pro Series System DG20 'David Gilmour' Signature Pickup Set with active electronics
- Fender - Standard Series - Stratocaster® - Candy Apple Red MN (2013)
- alder body
- maple neck and maple fingerboard with 21 MJ frets and black dot shaped position inlays
- scale length = 25.5" (648 mm)
- SSS = 3 x EMG SA single-coil pickups + active EXG guitar expander and SPC presence control = EMG Pro Series System DG20 'DAVID Gilmour' Signature pickup set with active electronics
- 6-saddle vintage-style synchronized tremolo
- white pearloid pickguard (came pre-assembled with the EMG Pro Series System DG20)
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces) + EMG Pro Series System DG20 shielded electronics = double shielding
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
- custom modified Standard Stratocaster® inspired on the famous 'red strat' played by David Gilmour (UK) of the English band Pink Floyd
Fender - Standard Series - Stratocaster® Satin - Candy Apple Red MN - 60th Anniversary Edition - custom upgraded with Lace Alumitone pickups and chrome hardware
- Fender - Standard Series - Stratocaster® Satin - Candy Apple Red MN - 60th Anniversary Edition (2006)
- alder body
- maple neck and maple fingerboard with 21 MJ frets and black dot shaped position inlays
- scale length = 25.5" (648 mm)
- HSS = 1 x Lace Alumitone Humbucker pickup (chrome) + 2 x Lace Alumitone Single Coil pickup (chrome)
- 6-saddle vintage-style synchronized tremolo
- custom HSS pickguard
- custom chrome dome knobs and chrome switch tip
- custom Graph Tech Black TUSQ XL guitar nut (impregnated with PTFE lubrication)
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
- the color Candy Apple Red Satin is very rare and was only available in 2006 in limited numbers for Fenders 60th Anniversary
- the Lace Alumitone pickups are a radical departure in pickup making. Conventional pickups are voltage designed, meaning it’s the voltage in the current that makes them work, the Alumitone is current-driven instead. It is also aluminium-based rather than copper-based, it has a single coil of wire and, although it does use copper wire, it uses 90% less copper than a conventional pickup. The design is noiseless and picks up so much that it eliminates the need for humbuckers. So the humbucker on this guitar doesn’t do anything more than the single-coils, but it does looks very nice :-) Soundwise Lace Alumitone pickups compare to standard pickups as HD television to standard television with a very clean defined sound and a flat frequency response. Thus without the traditional frequency bumps like a standard single coil pickup has. As a matter of fact, this strat can almost sound like an acoustic guitar due to the very flat frequency response of the Alumitones so it is very well suited for clean guitar sounds. But the enhanced definition also works very well on very distorted heavy-metal sounds
Gibson - Les Paul Studio Manhattan Midnight
- Gibson USA - Les Paul Studio 2015 MM Manhattan Midnight (2015)
- mahony body with maple top
- mahony neck and rosewood fingerboard with 22 MJ frets and pearloid trapezoid shaped position inlays
- scale length = 24.75" (629 mm)
- HH = 1 x Gibson '57 Plus Classic Humbucker with Alnico II magnets (bridge pickup) + Gibson '57 Humbucker with Alnico II magnets (neck pickup) both with Volume Push/Pull CoilSplit
- satin-nickle hardware finish
- Gibson nickel 'Tune-o-Matic' bridge with titanium saddles
- Gibson Stop-Bar Tailpiece
- Gibson "Zero Fret Adjustable Nut"
- Gibson G-Force Tuning System
- unique features: Les Paul 100th birthday signature + Les Paul hologram
- strings: D'Addario EXL125 nickel wound (roundwound - super light top/regular bottom plain steel .009 .011 .016 nickel wound .026 .036 .046)
Gibson - SG Standard Heritage Cherry - custom upgraded with a Gibson Angus Young Signature Humbucker Bridge Pickup
- Gibson USA - SG Standard 2015 HCH Heritage Cherry (2015)
- mahony body
- mahony neck and rosewood fingerboard with white binding, 22 MJ frets and pearloid trapezoid shaped position inlays
- scale length = 24.75" (629 mm)
- HH = 1 x Gibson Angus Young Signature Humbucker Pickup with Alnico V magnets (bridge pickup) + 1 x Gibson '57 Classic Humbucker with Alnico II magnets (neck pickup) both with Volume Push/Pull CoilSplit
- chrome hardware finish
- Gibson nickel 'Tune-o-Matic' bridge with titanium saddles
- Gibson Stop-Bar tailpiece
- Gibson "Zero Fret Adjustable Nut"
- Gibson G-Force Tuning System
- unique features: Les Paul 100th birthday signature + Les Paul hologram, Gibson Angus Young Signature Humbucker Pickup
- strings: D'Addario EXL125 nickel wound (roundwound - super light top/regular bottom plain steel .009 .011 .016 nickel wound .026 .036 .046)
- Angus Young (UK) is guitar player in the band AC/DC
- the only difference between this guitar and the Gibson 'Thunderstruck' Angus Young SG is the absence of Angus Young-certified "lightning bolt" positions inlays
Jackson Guitars - Pro Series - Dinky™ Chlorine Burst
- Jackson Guitars - Pro Series - DK2QM Dinky™ - Chlorine Burst (2013)
- alder body with a striking 4A 1/8" quilt maple cap
- maple neck and maple fingerboard with black binding, 24 J frets and offset black dot shaped position inlays
- scale length = 25.5" (648 mm)
- HH = 1 x Direct Mount Seymour Duncan® JB Model™ TB-4 Zebra humbucking pickup with Alnico V magnets (bridge pickup) + 1 x Direct Mount Seymour Duncan® '59 SH-1N Zebra humbucking pickup with Alnico V magnets (neck pickup)
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- Floyd Rose® FRT-O2000 double-locking tremolo (recessed)
- unique features: black hardware, graphite neck reinforcement rod, black dome style control knobs, Floyd Rose® double-locking tremolo (recessed)
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
Squier (by Fender) - Classic Vibe Series - Stratocaster® 50s 2-Color Sunburst MN
- Squier (by Fender) - Classic Vibe Series - Stratocaster® 50s 2-Color Sunburst MN (2014)
- alder body
- maple neck and maple fingerboard with 21 MJ frets and black dot shaped position inlays
- scale length = 25.5" (648 mm)
- SSS = 3 x Custom Vintage-Style Single-Coil Strat pickups with Alnico 3 magnets
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- 6-saddle vintage-style synchronized tremolo
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
- don't be fooled by the brand name, the Squier - Classic Vibes Series is considered to be the top of the line. These guitars did get raving reviews all over the world
Squier (by Fender) - Classic Vibe Series - Telecaster® 50s Butterscotch Blonde
- Squier (by Fender) - Classic Vibe Series - Telecaster® 50s Butterscotch Blonde (2014)
- pine body
- maple neck and maple fingerboard with 21 MJ frets and black dot shaped position inlays
- scale length = 25.5" (648 mm)
- SS = 2 x Custom Vintage-Style Single-Coil Tele pickups with Alnico V magnets
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- 3-saddle vintage-style strings-through-body Tele with brass barrel saddles
- unique features: "C" shape maple neck, knurled chrome control knobs, vintage tinted neck, black dot position inlays, gold Squier logo, original barrel switch tip, synthetic bone nut
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
- don't be fooled by the brand name, the Squier - Classic Vibes Series is considered to be the top of the line. These guitars did get raving reviews all over the world. Especially this Classic Vibe Series - Telecaster® 50s Butterscotch Blonde is considered to be top notch due to it's pine body and brass barrel saddles (just like the original '50s-era Fender Telecaster®)
Electric baritone guitars (solid body)
EASTWOOD GUITARS - Sidejack Baritone DLX Black (tuned B to B)
- EASTWOOD GUITARS - Sidejack 12 DLX Black (2016)
- bound solid basswood body
- body based on the 1960's MOSRITE guitars (reversed-Stratocaster® look)
- bound maple SET neck and rosewood fingerboard with gold binding, 22 MJ frets and and dot shaped position inlays
- scale length = 24 3/4" (628 mm)
- SS = 2 x Vintage EW P-90 pickups
- gold-plated hardware
- tunomatic roller bridge and Jazzmaster® style Tremolo Tail
- unique features: gold-plated hardware on black finish
- strings: D'Addario EXL158 nickel wound (roundwound - baritone light gauge plain steel .013 .017 nickel wound .026 .036 .046 .062 - tuning B-E-A-D-F♯-B)
- the worlds top-selling baritone electric guitar
GRETSCH - Electromatic® Jet Baritone Black Sparkle (tuned B to B)
- GRETSCH - G5265 Electromatic® Jet Baritone Black Sparkle (2016)
- laminated hardwood body
- maple neck and rosewood fingerboard with white binding, 22 MJ frets and and dot shaped position inlays
- scale length = 29.75" (756 mm)
- HH = 2 x Gretsch® Mini Humbucking pickups
- chrome-plated hardware
- anchored Adjusto-Matic™ bridge and Bigsby® Bigsby®-licensed B500 vibrato tailpiece
- unique features: frosted white acrylic pickguard with Gresch logo, dot position inlays, G-Arrow knobs, knurled strap retainer knobs, adjustable truss rod
- strings: D'Addario EXL157 nickel wound (roundwound - baritone medium gauge plain steel .014 .018 nickel wound .026 .044 .056 .062 .068 - tuning B-E-A-D-F♯-B)
Squier (by Fender) - Vintage Modified Series - Baritone Jazzmaster® Antigua (tuned A to A)
- Squier (by Fender) - Vintage Modified Series - Baritone Jazzmaster® Antigua (2015)
- basswood body
- maple neck and bound rosewood fingerboard with 21 MJ frets with pearloid block shaped position inlays
- scale length = 30" (762 mm)
- SS = 1 x Duncan Designed™ JM-101B Single-Coil Jazzmaster with Alnico 5 Magnets (bridge pickup) + 1 x Duncan Designed™ JM-101N Single-Coil Jazzmaster® with Alnico 5 Magnets (neck pickups)
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- unique features: bound fingerboard, pearloid block inlays, Duncan Designed™ pickups
- strings: D'Addario EXL157 nickel wound (roundwound - baritone medium gauge plain steel .014 .018 nickel wound .026 .044 .056 .062 .068 - tuning A D G C E A)
Electric bass guitars (hollow body)
Höfner - Ignition Series - Club Bass Sunburst
- Höfner - Ignition Series - HI-CB-SB - Club Bass Sunburst (2021)
- fully hollow body
- wood top = spruce
- wood sides + back: flame maple
- maple neck and rosewood fingerboard with 22 frets with white dot shaped position inlays
- scale length = 30” (760 mm)
- HH = 1 x Hofner Ignition Staple Nickel (bridge pickup) + 1 x Hofner Ignition Staple Nickel (neck pickup)
- famous Höfner control panel: on/off for each pick-up, solo/rhythm switch and individual volume controls
- nickel hardware
- strings: Höfner HCT1133B Bass Strings (flatwound for Höfner Beatles Bass and Club Bass .040 .066 .075 .095)
- the Ignition Club Bass for the authentic Höfner bass sound from the 70's, inspired by the original Höfner 1965 model
Electric bass guitars (solid body)
ESP Ltd - Forest Series - Forest Bass Black (5 strings - low B)
- ESP Ltd - Forest Series - F-105 BLK - Black (2014)
- basswood body with ESP exclusive Forest design
- maple neck and rosewood fingerboard with 24 XJ frets with pearloid dot shaped position inlays
- scale length = 35” (889 mm)
- HH = 1 x passive ESP Designed SB-5B humbucker (bridge pickup) + 1 x passive ESP Designed SB-5N humbucker pickup (neck pickup)
- active EQ: ABQ-2 2-Band EQ
- chrome hardware
- 5 strings (low B)
- strings: Rotosound 775LD Jazz Bass 77 (flatwound - Jazz Bass V .045 .065 .085 .100 .130)
Fender - Artist Series - Marcus Miller Jazz Bass® Natural
- Fender - Artist Series - Marcus Miller Jazz Bass® Natural MN (2013)
- ash body
- maple neck and maple fingerboard with white binding, 20 MJ frets and and pearloid block shaped position inlays
- Badass® Bass II™ bridge
- scale length = 34" (864 mm)
- SS = 1 x Fender American Vintage single-coil Jazz Bass pickup (bridge pickup) + 1 x Fender American Vintage '75 single-coil Jazz Bass pickup (middle/neck pickup)
- dual active EQ
- custom-designed Fender Active Preamp
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- unique features: distinctive black pickguard/control plate, one piece C-shaped maple neck, maple fingerboard featuring white binding, white pearl block inlays, dual vintage-style Jazz Bass single-coil pickups, two-band active EQ has an active/passive mini-toggle switch, chrome neck pickup cover, knurled chrome-dome knobs on the volume controls and black Jazz Bass knobs on the tone controls, a Badass Bass II bridge and three-bolt neck plate, Marcus Miller signature on headstock
- strings: DR Strings MM-45 Marcus Miller FatBeam (roundwound - Jazz Bass .045 .065 .085 .105)
- Marcus Miller (USA) is a bass player and producer, he played among others with David Sandborn, Miles Davis, The Jamaica Boys, Aretha Franklin, Roberta Flack, Bill Withers, Elton John, Bryan Ferry, Jay Z and LL Cool J.
Fender - Artist Series - Roger Waters Precision Bass®
- Fender - Artist Series - Roger Waters Precision Bass® (2013)
- alder body
- maple neck and maple fingerboard with 20 MJ frets and black dot shaped position inlays
- scale length = 34" (864 mm)
- Split Single-Coil = 1 x Seymour Duncan® Basslines SPB-3 Quarter Pound split single-coil Precision Bass® pickup
- black hardware
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: Rotosound 77LD Jazz Bass 77 (flatwound - Jazz Bass .045 .065 .085 .100)
- unique features: thick C-shape neck, brass nut, , "F" stamped neck plate with rubber spacer, '50s spaghetti logo decal
- Roger Waters signature on back of headstock
- Roger Waters (UK) is a bass player and founding member of the English band Pink Floyd, since 1985 he perfoms solo and since 1990 he travels around the world with 'The Wall Live' (concert tour)
Squier (by Fender) - Vintage Modified Series - Jazz Bass® V Natural (5 strings - low B)
- Squier by Fender - Vintage Modified Series - Jazz Bass® V Natural (2015)
- soft maple body
- maple neck and maple fingerboard with black binding, 20 MJ frets and and black block shaped position inlays
- scale length = 34" (864 mm)
- SS = 1 x Fender-Designed Single-Coil Jazz Bass pickup (bridge pickup) + 1 x Fender-Designed Single-Coil Jazz Bass pickup (middle/neck pickup)
- unique features: black bound fingerboard with black block position inlays, knurled chrome dome control knobs, 4-over/1-under tuning machine array, bar string retainer, vintage tint neck
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: DR Strings MM5-45 Marcus Miller FatBeam (roundwound - Jazz Bass V .045 .065 .085 .105 .125)
- this is a 5 string Jazz Bass® in addition to the Fender - Artist Series - Marcus Miller Jazz Bass® Natural MN
Squier (by Fender) - Vintage Modified Series - Precision Bass® V Olympic White (5 strings - low B)
- Squier by Fender - Vintage Modified Series - Precision Bass® V Olympic White (2015)
- basswood body
- maple neck and maple fingerboard with 20 MJ frets and black dot shaped position inlays
- scale length = 34" (864 mm)
- Split Single-Coil = 1 x Fender-Designed Single Split-Coil Precision Bass V pickup
- unique features: knurled chrome flat-top control knobs, bar string tree, vintage tint neck
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings: Rotosound 775LD Jazz Bass 77 (flatwound - Jazz Bass V .045 .065 .085 .100 .130)
- this is a 5 string Precision Bass® in addition to the Fender - Artist Series - Roger Waters Precision Bass®
Squier (by Fender) - Vintage Modified Series - Bass VI 3-Color Sunburst
(6 strings - tuned 1 octave lower then a conventional guitar)
- Squier by Fender - Vintage Modified Series - Bass VI 3-Color Sunburst (2014)
- basswood body
- maple neck and rosewood fingerboard with white binding, 21 MJ frets and and pearloid block shaped position inlays
- scale length = 30 " (762 mm)
- SSS = 2 x Custom Single-Coil Jaguar with claw pickups (neck + bridge) + 1 x Custom Single-Coil Jaguar Reverse-Wound/Reverse-Polarity with claw pickup (middle)
- 6-saddle vintage-style nickel-plated brass bridge with non-locking floating vibrato
- unique features: white bound fingerboard with white pearloid block position inlays, single wing string tree
- custom shielded electronics and cavities (3M 1181 copper foil tape with conductive adhesive + aluminium foil for larger surfaces)
- strings D'Addario EXL156 EXL156 nickel wound (roundwound - Fender Bass VI .024 .034 .044 .056 .072 .084 - tuning E A D G B E)
- this is a 6 string bass guitar that is tuned one octave lower then a conventional guitar
- the Bass VI is the favorite instrument of Robert Smith and therefore typical to the sound of The Cure
Guitars and bass for rehearsal purposes
Jasmine (by Takamine) - S-34C II acoustic (metal 6 string)
- Jasmine by Takamine - S-34C - metal string acoustic guitar (2013)
- Grand Orchestra body (with Venetian cutaway)
- spruce top, sapele back and sapele sides
- nato neck and rosewood fingerboard with black binding, 20 MJ frets and pearloid dot shaped position inlays
- scale length = 25,6" (650 mm)
- chrome hardware
- strings: Elixir 16027 Nanoweb phosphor bronze (roundwound - custom light gauge .011 .015 .022 .032 .042 .052)
- is equipped with a Takamine - Tri-Ax active sound hole pickup. It has a dual-coil design and L.R. Baggs tri-axial dynamic technology, it's identical to the L.R.Baggs M1 active sound hole pickup
Squier (by Fender) - Affinity Series - Stratocaster® HSS Burgundy Mist
- Squier (by Fender) - Affinity Series - Stratocaster® HSS - Burgundy Mist RW (2013)
- alder body
- maple neck and rosewood fingerboard with 21 MJ frets and dot pearloid position inlays
- scale length = 25.5" (648 mm)
- HSS = 1 x Fender Standard humbucking pickup (bridge) + 2 x Fender Standard single-coil pickup
- 6-saddle vintage-style synchronized tremolo
- unique features: HSS pickups, large '60s style headstock, black plastic parts, black silkscreen logo
- custom shielded electronics (with 3M 1181 copper foil)
- strings: D'Addario EXL120 nickel wound (roundwound - super light gauge plain steel .009 .011 .016, nickel wound .024 .032 .042)
Squier (by Fender) - Mini Strat® V2 Black
- Squier (by Fender) - Mini Strat® V2 Black (2020)
- poplar ¾-size body
- maple neck and Indian laurel fingerboard with 20 meduim frets and dot pearloid position inlays
- scale length = 22.75” (578 mm)
- SSS = 3 x Squier Standard Single-Coil Strat
- 6-Saddle Vintage-Style Strat Strings-Through-Body Hardtail
- chrome hardware finish
- strings: Fender® USA 250L (nickel plated steel 009 .011 .016 .024 .032 .042)
Squier (by Fender) - Affinity Series - Precision Bass® PJ Metallic Red
- Squier by Fender - Affinity Series - Precision Bass® PJ Metallic Red (2014)
- alder body
- maple neck and rosewood fingerboard with 20 MJ frets and and pearloid dot shaped position inlays
- scale length = 34" (864 mm)
- SS PJ = 1 x Fender Standard Single-Coil Jazz Bass pickup (bridge) + 1 x Fender Standard Split Single-Coil Precision Bass pickup (middle)
- chrome hardware finish
- custom shielded electronics (with 3M 1181 copper foil)
- strings: Rotosound 77LD Jazz Bass 77 (flatwound - Jazz Bass .045 .065 .085 .100)
Amplifiers for electric guitar & bass guitar
Ampeg - BA 115 - Combo
- legacy Ampeg pre amp with classic Ampeg tone
- solid-state amp
- 3 bands EQ
- 5 preset tones
- direct output
- speaker: 1 x 15"
- power: 100 Watt
LINE 6 - SPIDER IV 75 - Combo
- industry-leading LINE 6 amp and FX modeling
- 4 channels
- 16 amplifier models
- 20 Smart Control FX
- 14 seconds Quick Loop looper
- +300 presets based on artists/bands
- +200 presets based music/style
- 64 user presets
- speaker: 1 x 12” Custom Celestion
- power: 75 Watt
- direct output with built-in Cabinet Simulator = ideal for recording
- custom modified with:
- separate amplifier output (amplifier can be used with another stand-alone speaker cabinet)
- separate speaker input (speaker can be used as a stand-alone 1 x 12” speaker cabinet)
LINE 6 - SPIDER V 30 MkII - Combo
- industry-leading LINE 6 amp and FX modeling
- Over 200 amps, cabs, and effects
- 128 presets featuring a variety of classic and modern tones
- tuner, metronome, and jam-along drum loops
- speaker: 1 x 8" + 1 x tweeter for full-range speaker mode for acoustic guitar and jam track playback
- Classic Speaker mode provides an organic sound and feel
- power: 30 Watt
- USB interface and free Spider V Remote app
- Edit and record on Mac®, PC, iOS®, and Android™ device
LINE 6 - FBV Shortboard USB MKII foot controller
- foot controller for LINE 6 Spider IV 75 Combo and Spider V 30 mk II Combo (see above)
- 13 switches
- 1 pedal for volume or wah effect
Hughes & Kettner - TubeMeister TM110 - Cabinet (x2)
- Hughes & Kettner slogan: "Punches way above its weight"
- speaker cabinet
- 30 Watts / 8 Ohm
- 10” Celestion TEN 30 speaker
- is designed to be used with a Hughes & Kettner - TubeMeister TM18 - Head (see below)
- the second one is for the Marshall - JVM-1H - Head (see below the Tubemeister TM18)
Hughes & Kettner - TubeMeister TM18 - Head
- Hughes & Kettner slogan: "Rock on Stage, Play at Home, Record at Night"
- 2 channels (Clean, Lead + Boost)
- 3 bands EQ (voiced differently for each channel)
- pre amp valves: 2 x 12AX7
- power amp valves: 2 x EL84
- power: 18 Watt, 5 Watt, 1 Watt or 0 Watt
- effects loop
- direct output with built-in H&K RED BOX = ideal for recording
Marshall - MG10 - MG Gold Range - Combo
- Marshall MG 10 - MG Gold Range
- solid state amp
- 2 channels (Clean, Overdrive)
- 'contour' control
- speaker: 1 x 6.5" Custom
- power: 10 Watt
- 1 x 3.5mm aux input
- 1 x 3.5mm jack headphone output
Marshall - JVM-1H - Head (limited edition)
- 50th Anniversary limited edition: serial number 0273 of a 1094 piece production run
- the real JVM tone without the live power
- 2 channels (Clean, Overdrive)
- 4 bands EQ with 'presence'
- pre amp valves: 1 x ECC82 + 2 x ECC83
- power amp valves: 1 x ECC82 + 1 x ECC83
- power: 1 Watt or 0,1 Watt
- effects loop
- direct output (connected to a H&K RED BOX 5) = ideal for recording
Roland - JC-120 - JAZZ CHORUS-120 - Combo (limited edition)
- 50th Anniversary limited edition: serial number 181 of a 350 piece production run
- solid-state amp
- 2 channels (Clean, Clean with FX)
- 2 x 3 bands EQ with 'bright' switch
- analog spring reverb
- analog chorus
- analog vibrato with speed and depth control
- distortion
- power: 120 Watt
- stereo effects loop
- stereo direct line output
- limited collector's edition that features a natural cherry wood finish (Deep Burgundy Open Pore), premium dark gray grille cloth material and a commemorative badge with a hand-engraved serial number
- legendary ultra-clean solid-state amp from the 70's and 80's used by Robert Smith (The Cure), Andy Summers (The Police), Johnny Marr (The Smiths), James Hetfield (Metallica), Wes Borland (Limp Bizkit), etc...
Hardware Chromatic Digital Tuners
KORG - OT-120 - Wide 8 Octave Orchestral Digital Tuner
- needle type chromatic digital tuner intended for the orchestra
- scale: 12 equal tempered, Pythagorean, Werckmeister III, Vallotti, Mean Tone Eb, Kirnberger III, Young, Mean Tone D#, Kellner
- transpose range: C, C#, D, Eb, E, F, F#, G, G#, A, Bb, B
- detection range: A0 (27.50 Hz) – C8 (4186 Hz)
- reference tone: C2 (65.41 Hz) – C7 (2093 Hz), five octave, two-step volume control
- tuning modes: AUTO (SLOW, MEDIUM, FAST), MANUAL, SOUND BACK
- calibration: A4 = 349 – 499 Hz (1 Hz step)
- detection accuracy: ± 1 cent
- tone accuracy: ± 1.5 cent
- connectors: INPUT (1/4” phone jack), OUTPUT (1/4” phone jack)
- CM-200 contact microphone included
- can be used to tune all orchestral imstruments, including a piano
KORG - PB-05 - Pitchblack Pro (x2)
- 19-inch 1U rack-mount digital tuner for guitar/bass
- large “3D” visual meter for unprecedented visibility
- lightweight, thin, removable; not limited to rack installation
- three meter display modes: regular, strobe, and half-strobe
- cable checker warns of broken or shorted cables
- buffered output minimizes any change in audio quality
- mute function lets you tune silently
- part of KORG’s “Custom Shop” series, a mark of ultimate quality
Snark - Chromatic Tuners (x?)
- vast range of chromatic digital tuners for all types of instruments
- rotating display
- microphone
- metronome
- flat tuning/transposition functions
- pitch calibration
- Snark - The smartest way to Tune
- various models are present in the studio
Hardware Guitar FX pedals
BOSS - DS-1
- legendary DS-1 analog distortion pedal
- the first distortion unit made by Boss since 1978
- monophonic
- no true bypass
- it has become a classic effect, used by many notable guitar players such as Kurt Cobain,
Joe Satriani,
Mike Stern,
Steve Vai,
Steve Rothery, Kim Deal, Jeff Rosenstock, Robert Smith, Miki Berenyi, Peter Steele, Wata, Glenn Frey and many others
Dunlop - 535Q Cry Baby® Multi-Wah
- is the most versatile Wah pedal of the Cry Baby® range
- loaded with the legendary Fasel inductor
- 6 selectable frequency ranges (420Hz, 400Hz, 375Hz, 340Hz, 290Hz, 250Hz)
- customizable sound via Q dial
- variable boost from 0 to +16dB
- monophonic
- true bypass
- the 535Q is considered to be the Swiss Army knife of wah pedals, including the legendary sounds of Jimi Hendrix, Eric Clapton, David Gilmour, Prince, Joe Satriani, John Frusciante, etc...
Dunlop - Jimi Hendrix Fuzz Face Mini Distortion
- the Jimi Hendrix Fuzz Face Mini Distortion is a meticulously faithful reproduction of the 1969–70 Dallas Arbiter Fuzz Face model that Jimi Hendrix used on classic albums such as Electric Ladyland
- built around the toneful BC108 silicon transistor, authentic in every detail, featuring a hand-wired brown circuit board with no solder mask and circuitry carefully matched to original specs
- only 1/3d of the original size,includibg swapping of the input-output connectors to mach contemporary guitar pedals + a standard 9V DC connector
- monophonic
- true bypass
- the Fuzz Face's continuing popularity and status as a classic may be explained by its many famous users, among them are Jimi Hendrix, David Gilmour, Duane Allman, Pete Townshend, Eric Johnson and George Harrison
electro-harmonix - 4800 Small Clone
- legendary EH 4600 full analog chorus pedal popularized by Kurt Cobain
- monophonic
- true bypass
electro-harmonix - Big Muff Pi Deluxe
- legendary analog distortion and sustainer pedal
- deluxe version of the iconic NYC Big Muff Pi with additional attack and gate controls + switchable bass boost
- MIDS EQ
- fully parametric MIDS EQ includes variable frequency sweep, boost or cut level control and switchable Q or bandwidth amount,
- controlled by footswitch
- Expression Pedal Input to sweep the frequency of the MIDS EQ
- monophonic
- true bypass
- Jimi Hendrix and Carlos Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar
- revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes
Fender - 2 Switch ABY Pedal
- splitter/merger for guitars and amps
- passive design with true bypass
Hardware guitar amps + speakers + guitar FX pedals simulator
AVID - Eleven Rack (x3)
- Eleven Rack is the ultimate recording solution and amp emulation system designed for guitar players
- DSP-accelerated Eleven Rack 19" hardware interface
- remote controlled directly from Pro Tools
- emulations of classic amp tones inspired by Fender, VOX, Marshall, Soldano, and Mesa/Boogie
- classic stompbox effects inspired by MXR, electro-harmonix, Ibanez, Pro Co, Univox, and more
- up to eight simultaneous channels of 24-bit/96 kHz audio with near-zero latency
- built-in guitar tuner
- realistic response and tone with the unique True-Z impedance-matching guitar input
- one XLR mic input with 48V phantom power
- two 1/4" line-level inputs
- balanced stereo XLR outputs and dedicated 1/4" outputs (for amp connection)
- two 1/4" FX sends and returns
- AES/EBU and S/PDIF digital I/O
- 1x1 MIDI I/O
- stereo 1/4" headphone jack
- pedal/footswitch input
- high-speed USB 2.0 connectivity
- including the Eleven Rack Expansion Pack:
- guitar amp tones inspired by Bogner, Celestion, Fender, Marshall, Matchless, Roland, and more
- bass tones inspired by the Ampeg SVT
- guitar amp tones inspired by Bogner, Celestion, Fender, Marshall, Matchless, Roland, and more
- including the Eleven Rack Editor for remote control from inside Pro Tools
AVID - Eleven Rack (remote editor for AVID Eleven Rack hardware)
LINE 6 - Pocket POD
- industry-leading LINE 6 amp and FX modeling in a small package
- 32 amplifier models
- 16 cab models
- 16 FX models
- +300 preset
- amp output
- direct output for recording
Wireless guitar cable system
BOSS - WL-20 - Wireless system (x2)
- plug-and-play wireless systems for guitar, bass, and other electronic instruments
- wireless format: BOSS proprietary digital audio format
- wireless carrier frequency: 2.4 GHz on 14 compatible channels
- transmission Range: 50 feet/15-meter line-of-sight
- latency: 2.3 ms
- dynamic range: 110 dB or greater
- frequency response: 20 Hz--20 kHz
- power supply: rechargeable lithium-ion battery
- expected battery life under continuous use: approximately 10 hours
- cable tone simulation reproduces the natural capacitive effect of a 10-foot/3-meter guitar cable
Other equipment lists
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